tag:blogger.com,1999:blog-26061338257200220932024-02-18T22:52:25.774-04:00Life ChroniclesI like to share things.Miguel Riveroshttp://www.blogger.com/profile/16997657021795455471noreply@blogger.comBlogger421125tag:blogger.com,1999:blog-2606133825720022093.post-90712340724234136122020-04-02T09:45:00.002-04:002020-04-02T09:46:15.203-04:00Marcos Witt - Proyecto AA (1991) [MP3 128]<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgE_m8zNREBe1wPNa3ViGRUKa710utVDzT6B_DYkZ_al_8BQFT2F_pJxqsL8pbfSXD5-HNzJqPTFwNuu_vCz8hShldPyld1MN9cG2NVVKKoTnRVRti38tfH7oGw6giiCONOHzWCm1kciP_I/s1600/Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="397" data-original-width="397" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgE_m8zNREBe1wPNa3ViGRUKa710utVDzT6B_DYkZ_al_8BQFT2F_pJxqsL8pbfSXD5-HNzJqPTFwNuu_vCz8hShldPyld1MN9cG2NVVKKoTnRVRti38tfH7oGw6giiCONOHzWCm1kciP_I/s1600/Cover.jpg" /></a></div>
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<b><span style="font-size: large;">Canciones:</span></b><br />
<ol>
<li>Te exaltamos</li>
<li>Levantamos tu nombre</li>
<li>Yeshúa</li>
<li>Me gozaré</li>
<li>Restaurarás el Santo Lugar</li>
<li>Él es mi Rey</li>
<li>Renuévame</li>
<li>A Cristo, solo a Cristo</li>
<li>Porque Tú eres bueno</li>
<li>Maravilloso Dios</li>
<li>Al estar aquí</li>
<li>Quiero levantar mis manos</li>
</ol>
<br />
<div style="text-align: center;">
<a href="https://www.mediafire.com/file/inuik18fc3hxsqw/MW-PAA1991.zip/file"><span style="font-size: x-large;"><b>Descargar (mediafire)</b></span></a></div>
<div>
<div style="text-align: center;">
<a href="https://mega.nz/file/josi2CbZ#vUrtOmG8VhNO6peKR8S5ju3chKxZNXvSW5giNZLTNqY"><span style="font-size: x-large;"><b>Descargar (mega)</b></span></a></div>
<div style="text-align: center;">
<span style="font-size: large;">Tamaño: 37 MB</span></div>
</div>
Miguel Riveroshttp://www.blogger.com/profile/16997657021795455471noreply@blogger.com0tag:blogger.com,1999:blog-2606133825720022093.post-61028579551737902852020-03-22T06:18:00.000-04:002020-03-22T06:18:33.406-04:00En Espíritu y En Verdad - Glorioso Rey (2007) [MP3 128]<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfIg4SSpNsgSJeRJZndJyEfnnIgFPy1HVxnP_W5ovOy0uuVb7Vag5MlTnoC4abh8MmVWp92tCFJ1IOzAyd7WYsrEdsAgQp-Q7lCACPLnm5iEWGuzzbVMBNUpsa8UT29la3xt2DOVxw7Dvs/s1600/Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfIg4SSpNsgSJeRJZndJyEfnnIgFPy1HVxnP_W5ovOy0uuVb7Vag5MlTnoC4abh8MmVWp92tCFJ1IOzAyd7WYsrEdsAgQp-Q7lCACPLnm5iEWGuzzbVMBNUpsa8UT29la3xt2DOVxw7Dvs/s1600/Cover.jpg" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: large;">Canciones:</span><br />
<ol>
<li>Los Santos</li>
<li>Rodeas la Eternidad</li>
<li>En Tu Luz</li>
<li>Generación Que Danza</li>
<li>Glorioso Rey</li>
<li>Dios Es Rey</li>
<li>Espontáneo</li>
<li>Perfume a Tus Pies</li>
<li>Me Dice el Salvador</li>
<li>Rey de Justicia</li>
<li>Cuan Grande Es Dios</li>
</ol>
<br />
<div style="text-align: center;">
<a href="http://www.mediafire.com/file/b5jdos7m73s6i05/EEyEV-GR2007.zip/file"><b><span style="font-size: x-large;">Descargar (mediafire)</span></b></a></div>
<div>
<div style="text-align: center;">
<a href="https://mega.nz/#!OhknxLhb!iXK7yx_-VixN4ElAdsE3YvE-Rkoc66d-zfKcD1ssWKM"><b><span style="font-size: x-large;">Descargar (mega)</span></b></a></div>
<div style="text-align: center;">
<span style="font-size: large;">Tamaño: 61 MB</span></div>
</div>
Miguel Riveroshttp://www.blogger.com/profile/16997657021795455471noreply@blogger.com0tag:blogger.com,1999:blog-2606133825720022093.post-73498687649441641742020-03-19T07:07:00.001-04:002020-03-19T08:31:34.718-04:00Marcos Witt - Homenaje A Jesús (2000) [MP3 128]<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivZLtDs3YvEWpRcaYtKFOXHOfPyf2Ql9_C1bNXG4QZQdpSYFeyx_Zo2XElJyboEXM9Fkt5C41H93N6soj4GZKbgZJNCj_i_4fOhy2jxqS3VAKoXmYS8MRjxGufWYvxtozjfdIhfDrpb5Qe/s1600/Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="952" data-original-width="960" height="633" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivZLtDs3YvEWpRcaYtKFOXHOfPyf2Ql9_C1bNXG4QZQdpSYFeyx_Zo2XElJyboEXM9Fkt5C41H93N6soj4GZKbgZJNCj_i_4fOhy2jxqS3VAKoXmYS8MRjxGufWYvxtozjfdIhfDrpb5Qe/s640/Cover.jpg" width="640" /></a></div>
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<div style="text-align: center;">
<iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/DjR_7-PGip0" width="560"></iframe><br /></div>
<br />
<span style="font-size: large;">Canciones:</span><br />
<ol>
<li>Somos El Pueblo De Dios</li>
<li>Quien Como Tu</li>
<li>Perdonados</li>
<li>Loores Dad A Cristo El Rey</li>
<li>Nuestro Padre Eres Tu</li>
<li>Con Tu Sangre</li>
<li>Damos Honor A Ti</li>
<li>Unidos</li>
<li>Dios Al Mundo Amo</li>
<li>(Repeticion) Somos El Pueblo De Dios</li>
</ol>
<div>
<div style="text-align: center;">
<b><span style="font-size: x-large;"><a href="https://www.mediafire.com/file/xuczbg33ltm91p4/MW-HAJ2000.zip/file">Descargar (mediafire)</a></span></b></div>
<div style="text-align: center;">
<b><span style="font-size: x-large;"><a href="https://mega.nz/#!a003WI7A!kcNd7T7VhP8rZJxdf0XLx7goUQ471VhSEkry8QuG6ls">Descargar (mega)</a></span></b></div>
<div style="text-align: center;">
<span style="font-size: large;">Tamaño: 60 MB</span></div>
</div>
Miguel Riveroshttp://www.blogger.com/profile/16997657021795455471noreply@blogger.com0tag:blogger.com,1999:blog-2606133825720022093.post-84615412404264467712019-08-22T08:53:00.000-04:002019-08-22T09:14:13.334-04:00Heritage Singers En Español - Santo, Santo (2000) [CBR 128]<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5rZxCDsUoCgOTzMUNLirTGpL9uOEh7GPDpBTWTJaNshHupWOZXApyLz3S3dzVPROSxbSr6-jI1lgOcQ_TJcWPsn7LOnDYWBMH5XEtoxA3joGq9acUKU6ub5L6LlQigws_9Z17OlsfF2eb/s1600/Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="405" data-original-width="406" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5rZxCDsUoCgOTzMUNLirTGpL9uOEh7GPDpBTWTJaNshHupWOZXApyLz3S3dzVPROSxbSr6-jI1lgOcQ_TJcWPsn7LOnDYWBMH5XEtoxA3joGq9acUKU6ub5L6LlQigws_9Z17OlsfF2eb/s1600/Cover.jpg" /></a></div>
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<iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/PHoZnKeLCUc" width="560"></iframe><br /></div>
<br />
<span style="font-size: large;"><b>Canciones:</b></span><br />
<ol>
<li>Ven a Él</li>
<li>En Presencia De Jehová</li>
<li>Benditas Son Las Lagrimas</li>
<li>Dios De Paz</li>
<li>Caminaré</li>
<li>Mi Alma Canta</li>
<li>Amor De Mi Vida</li>
<li>Secó Mis Lágrimas</li>
<li>Por Tu Gracia y Amor</li>
<li>Postrado, Le Dije Santo</li>
</ol>
<br />
<div style="text-align: center;">
<span style="font-size: x-large;"><b><a href="https://www.mediafire.com/file/jhlslb4hazmxpdp/HSEE-SS2000.zip/file">Descargar</a></b></span></div>
<div style="text-align: center;">
<span style="font-size: x-large;">Tamaño: 41 MB</span></div>
Miguel Riveroshttp://www.blogger.com/profile/16997657021795455471noreply@blogger.com0tag:blogger.com,1999:blog-2606133825720022093.post-88098497206637369372019-02-16T14:54:00.000-04:002019-02-16T14:54:59.315-04:00Alfredo de la Fé - Salsa! (1989) [MP3]<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicC3_fizkDZ5XygeQx32-t7zLJxIL-70PfnJ3JPLS9L4vK9O2dISdekvEcetRkG9y-FqKq0s7yOtSTomSrmbcHOMbzv8Qb4GrNNX8vWDhj0K8f1iMtlnC2JR5YFSSbiLMPgkUzWpaMS8V-/s1600/Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="945" data-original-width="945" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicC3_fizkDZ5XygeQx32-t7zLJxIL-70PfnJ3JPLS9L4vK9O2dISdekvEcetRkG9y-FqKq0s7yOtSTomSrmbcHOMbzv8Qb4GrNNX8vWDhj0K8f1iMtlnC2JR5YFSSbiLMPgkUzWpaMS8V-/s640/Cover.jpg" width="640" /></a></div>
<br />
<b><span style="font-size: large;">Canciones:</span></b><br />
<b>01</b>. La Mucura<br />
<b>02</b>. La Salsa Nacio Hace Tiempo<br />
<b>03</b>. Oye Bien<br />
<b>04</b>. Hay Que Saber Vivir<br />
<b>05</b>. Negro Por Excelencia<br />
<b>06</b>. Barranquilla Es<br />
<b>07</b>. Suena Tu Timbal<br />
<b>08</b>. Oigan Muchachos<br />
<b>09</b>. Salsa Computarizada<br />
<br />
<div style="text-align: center;">
<span style="font-size: x-large;"><b><a href="http://bit.ly/2TZWMgA">Descargar</a></b></span></div>
<div style="text-align: center;">
<span style="font-size: large;">Tamaño: 78 MB</span></div>
Miguel Riveroshttp://www.blogger.com/profile/16997657021795455471noreply@blogger.com0tag:blogger.com,1999:blog-2606133825720022093.post-54272496385827507002019-02-08T09:59:00.000-04:002019-02-16T13:49:28.119-04:00Alfredo De La Fé - Alfredo (1979) [MP3 V2]<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2-irLkqgBBHq6Cdfh943cscbkWvjoCQMjOEjXi6bqgiBms5PDMpM08MvYw3drIamI_5G4f3ffBunKAw0w4sV3dM1RlsOJDsxMJz9VPVtVBCVK0cYZwZZ9CJcbXTTCjGj6ZXuy8VmF_XOE/s1600/Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1200" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2-irLkqgBBHq6Cdfh943cscbkWvjoCQMjOEjXi6bqgiBms5PDMpM08MvYw3drIamI_5G4f3ffBunKAw0w4sV3dM1RlsOJDsxMJz9VPVtVBCVK0cYZwZZ9CJcbXTTCjGj6ZXuy8VmF_XOE/s640/Cover.jpg" width="640" /></a></div>
<br />
"De la Fe empezó a estudiar violín en el Amadeo Roldán Conservatory en La Habana, en 1962. Dos años más tarde, recibe una beca para ingresar al Warsaw Conservatory, en Polonia. En 1965, realizó solos de las composiciones de Mendelssohn y Chaikovski con la Metropolitan Opera Orchestra en Carnegie Hall. Una beca en Juilliard le abrió nuevas puertas. De la Fe comenzó su carrera profesional, a los doce años, cuándo cambio de música clásica a Salsa, y aceptó una invitación para unirse a la leyenda de la charanga José Fajardo's Orchestra. En 1972, entró en la orquesta de Eddie Palmieri. Fue integrante del grupo por un periodo muy corto, mudándose temporalmente a San Francisco, donde conoció a Santana. Regresando a Nueva York, De la Fe se unió a Típica '73 en 1977. Dos años más tarde, lanzó su álbum debut como solista, Alfredo." (<a href="https://es.wikipedia.org/wiki/Alfredo_de_la_Fe">Source</a>)<br />
<br />
<b><span style="font-size: large;">Tracklist:</span></b><br />
<b>01</b>. Toca Alfredo Toca<br />
<b>02</b>. El Casabe<br />
<b>03</b>. Charanguenado<br />
<b>04</b>. Que Rico Bailo Yo<br />
<b>05</b>. Hot To Trot<br />
<b>06</b>. My Favorite Things<br />
<b>07</b>. Canto Del Corazon<br />
<br />
<div style="text-align: center;">
<b><span style="font-size: x-large;"><a href="http://bit.ly/2DiJchs">Descargar</a></span></b></div>
<div style="text-align: center;">
<span style="font-size: large;">Tamaño: 53 MB</span></div>
Miguel Riveroshttp://www.blogger.com/profile/16997657021795455471noreply@blogger.com1tag:blogger.com,1999:blog-2606133825720022093.post-19558918566531566152019-01-19T13:39:00.000-04:002019-01-19T14:33:34.950-04:00aTelecine - aVigillant Carpark (2009) [MP3 V0]<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4ns_Wt5OV5SFeacWKo48fBc_0h3AIdrn2QNWfz03Kc6B7W-DZPvxJg2L_T7g1hgu6DdYjpas6mX2M-YGKU7l28gdYH3M7NlRKhMSlvw5nUOWnaTlV-s-2kJOTNGi6NmGG0fCibuSmdSJR/s1600/Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1430" data-original-width="1430" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4ns_Wt5OV5SFeacWKo48fBc_0h3AIdrn2QNWfz03Kc6B7W-DZPvxJg2L_T7g1hgu6DdYjpas6mX2M-YGKU7l28gdYH3M7NlRKhMSlvw5nUOWnaTlV-s-2kJOTNGi6NmGG0fCibuSmdSJR/s640/Cover.jpg" width="640" /></a></div>
"aTelecine began as an industrial music collaboration between Sasha Grey and Pablo St. Francis in 2008. They were soon joined by Anthony D'Juan and Ian Cinnamon. Their first EP, aVigillant Carpark, was released in 2009 by New York label Pendu Sound in 7 inch vinyl only." (<a href="https://en.wikipedia.org/wiki/ATelecine">Source</a>)<br />
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<div style="text-align: center;">
<iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/uw-CIryGB9E" width="560"></iframe>
</div>
<div>
<br />
<b><span style="font-size: large;">Tracklist:</span></b><br />
<b>01</b>. Red<br />
<b>02</b>. Every Wolf Every...<br />
<b>03</b>. The Pleasure Dome<br />
<b>04</b>. Matic<br />
<b>05</b>. Larry Park<br />
<b>06</b>. Efrom (The Retarded Rabbit)<br />
<br />
<div style="text-align: center;">
<b><span style="font-size: x-large;"><a href="http://bit.ly/2W26OiN">Download</a></span></b></div>
<div style="text-align: center;">
<span style="font-size: large;">Size: 20 MB</span></div>
</div>
Miguel Riveroshttp://www.blogger.com/profile/16997657021795455471noreply@blogger.com0tag:blogger.com,1999:blog-2606133825720022093.post-89542015040123058002019-01-13T18:34:00.001-04:002019-01-13T20:37:20.544-04:00Kevin Moore - Music Meant To Be Heard (Demo, 1995) [MP3 192]<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEio6JmA2DDh-RNvV3BLxLNJjksv25OkPVdTEgGPglwYUhtSo1iSuXX6bhO8K3-ALhBo32iaNVsyBZwU0A9S12S0f9jRFZ2LU1NoMG6MbpK8r1uyDLzPi6A0V0H5HW6zg-0uOSQEo0GERFVE/s1600/Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEio6JmA2DDh-RNvV3BLxLNJjksv25OkPVdTEgGPglwYUhtSo1iSuXX6bhO8K3-ALhBo32iaNVsyBZwU0A9S12S0f9jRFZ2LU1NoMG6MbpK8r1uyDLzPi6A0V0H5HW6zg-0uOSQEo0GERFVE/s1600/Cover.jpg" /></a></div>
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"After leaving Dream Theater, Moore moved to Santa Fe, New Mexico and started writing material for his solo album. A demo tape known as Music Meant to Be Heard was shared among fans, and the songs included many spoken-word samples from interviews Moore recorded during his cross-country travels. Most of these songs were later released in 1999 on a limited-edition CD called This is a Recording." (<a href="https://en.wikipedia.org/wiki/Kevin_Moore">Source</a>)<br />
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<div style="text-align: center;">
<iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/ouYGfbQFswc" width="560"></iframe><br /></div>
<b><span style="font-size: large;"><br /></span></b>
<b><span style="font-size: large;">Tracklist:</span></b><br />
<b>01</b>. Song for Tori<br />
<b>02</b>. Space-Dye Vest<br />
<b>03</b>. Blanket<br />
<b>04</b>. Hollow<br />
<b>05</b>. Roll Away the Stone<br />
<b>06</b>. Shallow<br />
<b>07</b>. Hay Day, May Day, Help<br />
<b>08</b>. Nora<br />
<b>09</b>. Even the Waves<br />
<b>10</b>. Sun Orange Small<br />
<br />
<div style="text-align: center;">
<span style="font-size: x-large;"><b><a href="http://bit.ly/2D9xzuj">Download</a></b></span></div>
<div style="text-align: center;">
<span style="font-size: large;">Size: 71 MB</span></div>
Miguel Riveroshttp://www.blogger.com/profile/16997657021795455471noreply@blogger.com0tag:blogger.com,1999:blog-2606133825720022093.post-75466168850173122262018-12-27T09:52:00.000-04:002018-12-27T10:09:51.284-04:00Jason Becker - Boy Meets Guitar, Vol. 1 of the Youngster Tapes (2012) [MP3 192]<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfIc87Dk3PK7A_gzzjMoNaQbQ_Hl6bkm_0PPu1IhABN3Mly9YByISHivZv8hfAsVzaJfYUIqHOedWoH5018N8Phyphenhyphen-ikslp5CCJDFyW2fvUpUOTXM-lGi07LuGlMBqHix8lCUyaYxF2KyOz/s1600/Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1500" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfIc87Dk3PK7A_gzzjMoNaQbQ_Hl6bkm_0PPu1IhABN3Mly9YByISHivZv8hfAsVzaJfYUIqHOedWoH5018N8Phyphenhyphen-ikslp5CCJDFyW2fvUpUOTXM-lGi07LuGlMBqHix8lCUyaYxF2KyOz/s640/Cover.jpg" width="640" /></a></div>
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"The demos Jason sent to Mike Varney before joining Shrapnel Records & Cacophony." (<a href="https://www.metal-archives.com/albums/Jason_Becker/Boy_Meets_Guitar_-_Volume_1_of_the_Youngster_Tapes/662147">Source</a>)<br />
<br />
<b><span style="font-size: large;">Tracklist:</span></b><br />
<b>01</b>. Betcha Can't Play This! (17 Yrs. Old)<br />
<b>02</b>. Prelude #1 (Villa Lobos) [15 Yrs. Old]<br />
<b>03</b>. Astral Voyage (16 Yrs. Old)<br />
<b>04</b>. Vision In the Clouds (15 Yrs. Old)<br />
<b>05</b>. Violent Skies (16 Yrs. Old)<br />
<b>06</b>. Moe, Larry & Carlton, Vol. 1 (16 Yrs. Old)<br />
<b>07</b>. Moe, Larry & Carlton, Vol. 2 (16 Yrs. Old)<br />
<b>08</b>. Remember (15 Yrs. Old)<br />
<b>09</b>. Nate, You Funky Mofo! (feat. N8 Fox) [16 Yrs. Old]<br />
<b>10</b>. Paganini's 24th Caprice (16 Yrs. Old)<br />
<br />
<div style="text-align: center;">
<b><span style="font-size: x-large;"><a href="http://bit.ly/2Q5cRyU">Download</a></span></b></div>
<div style="text-align: center;">
<span style="font-size: large;">Size: 60 MB</span></div>
Miguel Riveroshttp://www.blogger.com/profile/16997657021795455471noreply@blogger.com0tag:blogger.com,1999:blog-2606133825720022093.post-48286767983248748292018-12-23T17:26:00.000-04:002018-12-27T09:58:46.976-04:00Vivaldi - The Four Seasons (Le Quattro Stagioni, Louis Kaufman, 1950) [MP3 192]<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2LYAhaLro1V7c_mSM_KEUqU9IFLBhBjUgmzdTP2bf5IfoL-AkAIqQrE3KboJmuUefekm4uePrzAE03vZ-7KZ5ANQhwdlx37JNNUrqqpK_lAkkQR197N31vI3iD7fucz7vH066gdw60ixJ/s1600/Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="584" data-original-width="600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2LYAhaLro1V7c_mSM_KEUqU9IFLBhBjUgmzdTP2bf5IfoL-AkAIqQrE3KboJmuUefekm4uePrzAE03vZ-7KZ5ANQhwdlx37JNNUrqqpK_lAkkQR197N31vI3iD7fucz7vH066gdw60ixJ/s1600/Cover.jpg" /></a></div>
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"The first American recording [of The Four Seasons] was made in the final week of 1947 by the violinist Louis Kaufman. The recording was made at Carnegie Hall in advance of a scheduled recording ban effective 1 January 1948. The performers were The Concert Hall Chamber Orchestra under Henry Swoboda, Edith Weiss-Mann (harpsichord) and Edouard Nies-Berger (organ). This recording helped the re-popularisation of Vivaldi's music in the mainstream repertoire of Europe and America following on the work done by Molinari and others in Italy. It won the French Grand Prix du Disque in 1950, was elected to the Grammy Hall of Fame in 2002, and was selected the following year for the National Recording Registry in the Library of Congress. Kaufman, intrigued to learn that the four concertos were in fact part of a set of twelve, set about finding a full score and eventually recorded the other eight concertos in Zürich in 1950, making his the first recording of Vivaldi's complete Op. 8." (<a href="https://en.wikipedia.org/wiki/The_Four_Seasons_(Vivaldi)#Recording_history">Source</a>)<br />
<div>
<br /></div>
<div>
<b><span style="font-size: large;">Tracklist</span></b><br />
<div>
<b>01</b>. Spring: Allegro; Largo- Il Capraro Che Dorme; Allegro- Danza Pastorale<span style="white-space: pre;"> </span><br />
<b>02</b>. Summer: Allegro; Meno Mosso; Presto<span style="white-space: pre;"> </span><br />
<b>03</b>. Autumn: Allegro- Ballo E Canto Villanelli; Adagio Molto- Ubriachi Dormienti; Allegro- La Caccia<span style="white-space: pre;"> </span><br />
<b>04</b>. Winter: Allegro Non Molto; Largo- La Pioggia; Allegro</div>
<div>
<br /></div>
<div style="text-align: center;">
<span style="font-size: x-large;"><a href="http://gestyy.com/wCXK0G"><b>Download</b></a></span></div>
<div style="text-align: center;">
<span style="font-size: large;">Size: 49 MB</span></div>
<div>
<br /></div>
</div>
Miguel Riveroshttp://www.blogger.com/profile/16997657021795455471noreply@blogger.com0tag:blogger.com,1999:blog-2606133825720022093.post-29166579206557119842018-06-29T16:26:00.000-04:002018-06-29T16:26:13.067-04:00Sons of Korah - Shelter (2002)<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgC36mLymE_4r2o2IBbFzEmitkPDM1Z9pKTzri_OiTVDaX9O5QJKkBo6m6e4tbbuiHw_eSZoAZp58i6rTyeJ2_PdxYm_XlvayR5djRlRSCnmEVTWfbdCPWR5Og7bEjCrmnxYtBEk0PRB5x0/s1600/Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1583" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgC36mLymE_4r2o2IBbFzEmitkPDM1Z9pKTzri_OiTVDaX9O5QJKkBo6m6e4tbbuiHw_eSZoAZp58i6rTyeJ2_PdxYm_XlvayR5djRlRSCnmEVTWfbdCPWR5Og7bEjCrmnxYtBEk0PRB5x0/s640/Cover.jpg" width="632" /></a></div>
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"Shelter was released in November 2002 and is possibly the most reflective, even melancholic, of the Sons of Korah albums. It is a very moving album and one that has touched many people very deeply, particularly those dealing with grief and hardship.<br /><br />The album was made in the wake of a two year period in which Matt Jacoby and Rod Gear were playing most gigs as a duo without the full band and the album reflects the more mellow performance that characterised that period. There is hardly any drums on this album and when the drum kit does appear it is only to create some dynamics. On Shelter Sons of Korah give heartfelt expression to some of the most beautiful moments in the psalms with sensitivity and feeling. Shelter has a very peaceful feel to it. It is one to listen to with headphones somewhere on your own. It includes Psalms 35, 1, 37 (in two parts), 127, 30, 73, 123, 128 and 51." (<a href="http://sonsofkorah.com/#music">Source</a>)<div>
<br />
<b>Tracks:</b><br />
<b>01</b>. Psalm 35 Contend<br />
<b>02</b>. Psalm 1 Blessed Is The Man<br />
<b>03</b>. Psalm 37 (I) Shine Like The Dawn<br />
<b>04</b>. Psalm 127 Unless The Lord Builds The House<br />
<b>05</b>. Psalm 30 Garments Of Joy<br />
<b>06</b>. Psalm 73 Whom Have I In Heaven But You<br />
<b>07</b>. Psalm 123 I Lift Up My Eyes<br />
<b>08</b>. Psalm 128 Olive Plants<br />
<b>09</b>. Psalm 37 (II) Be Still Before The Lord<br />
<b>10</b>. Psalm 51 A Broken Spirit And A Contrite Heart<br />
<br />
<div style="text-align: center;">
<span style="font-size: x-large;"><b><a href="http://www.mediafire.com/file/5dfth8fl93yr9ij/SoK-S2002.zip">Download</a></b></span></div>
<div style="text-align: center;">
<span style="font-size: large;">Size: 60 MB</span></div>
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Miguel Riveroshttp://www.blogger.com/profile/16997657021795455471noreply@blogger.com0tag:blogger.com,1999:blog-2606133825720022093.post-38124020903648499872018-06-16T09:05:00.000-04:002019-01-03T08:27:55.419-04:00Juan Carlos Alvarado - Tu Palabra Cantaré (2008) [MP3 192]<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyVcpNtxZzAyynEIGF2Av8y3jtDU9qx0NeK0tJdYAnWu7gUYKc1IjpWLPapm36S6_jmRYmZUJ4z22jRR6Rded_YeP-dRxa6pF3cPM3Tl9f1AU5u1y2z3uYcAmr-NYtm7fQHUTtOr2Z1l0z/s1600/Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyVcpNtxZzAyynEIGF2Av8y3jtDU9qx0NeK0tJdYAnWu7gUYKc1IjpWLPapm36S6_jmRYmZUJ4z22jRR6Rded_YeP-dRxa6pF3cPM3Tl9f1AU5u1y2z3uYcAmr-NYtm7fQHUTtOr2Z1l0z/s1600/Cover.jpg" /></a></div>
<div style="text-align: center;">
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<span style="font-size: large;"><b>Canciones:</b></span><br />
<b>01</b>. Salmo 3<br />
<b>02</b>. Si Lo Puedes Creer<br />
<b>03</b>. Por La Fe<br />
<b>04</b>. Tu Palabra Cantare<br />
<b>05</b>. El Amor<br />
<b>06</b>. Salmo 5<br />
<b>07</b>. Unico Dios<br />
<b>08</b>. Te Vengo A Adorar<br />
<b>09</b>. Solo Tu<br />
<b>10</b>. No Callare<br />
<b>11</b>. El Fuego En El Altar<br />
<b>12</b>. El Tiempo De La Canción<br />
<br />
<div style="text-align: center;">
<span style="font-size: x-large;"><b><a href="http://www.mediafire.com/file/17vlrrq4yo481tn/JCA-TPC2008.zip">Descargar</a></b></span></div>
<div style="text-align: center;">
<span style="font-size: large;">Tamaño: 96 MB</span></div>
Miguel Riveroshttp://www.blogger.com/profile/16997657021795455471noreply@blogger.com0tag:blogger.com,1999:blog-2606133825720022093.post-24683481600666983172018-04-07T16:28:00.000-04:002018-04-07T16:28:08.457-04:00Harry Potter (Collezione in italiano) [PDF]<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLlTt-cF9uKoqPkHdJTSb-w2olvbyuzXD-9LdVTxiSIbyh3p984s3HiYkH8HkVYZmg3DAXkRRHW8xUR7wrUS1lQ3j4lngnhtH4vg7qriGAZlRmOLPyV_xQiTt0oI2ORmzSpzwSAt7nZepR/s1600/Pietra+Filosofale.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1469" data-original-width="981" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLlTt-cF9uKoqPkHdJTSb-w2olvbyuzXD-9LdVTxiSIbyh3p984s3HiYkH8HkVYZmg3DAXkRRHW8xUR7wrUS1lQ3j4lngnhtH4vg7qriGAZlRmOLPyV_xQiTt0oI2ORmzSpzwSAt7nZepR/s640/Pietra+Filosofale.jpg" width="426" /></a></div>
<br />
<b>Collezione:</b><br />
<br />
<ul>
<li>Harry Potter e la pietra filosofale </li>
<li>Harry Potter e la camera dei segreti </li>
<li>Harry Potter e il prigioniero di Azkaban </li>
<li>Harry Potter e il calice di fuoco </li>
<li>Harry Potter e l'Ordine della Fenice </li>
<li>Harry Potter e il principe mezzosangue </li>
<li>Harry Potter e i Doni della Morte </li>
</ul>
<div>
<b>Extra:</b></div>
<ul>
<li>Le fiabe di Beda il Bardo</li>
</ul>
<div style="text-align: center;">
<b><span style="font-size: x-large;"><a href="http://festyy.com/wIa1We">Scaricare</a></span></b></div>
<div style="text-align: center;">
<span style="font-size: large;">Peso: 10 MB</span></div>
Miguel Riveroshttp://www.blogger.com/profile/16997657021795455471noreply@blogger.com0tag:blogger.com,1999:blog-2606133825720022093.post-72463182709020240242018-03-29T09:10:00.001-04:002018-03-31T05:27:28.961-04:00Susanna Nocchi - Grammatica Pratica Della Lingua Italiana (2002) [PDF]<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhepsCTSSignplWAjg9w6sJy-iqRq2HNqM6TgYDnESsm2gm2D7bMI-OX_twRac4xMaxq6Yfh_kh4s_uqGqQ9cTdtM0bdcA2XkD4faD2FPAF4_AwhTrTI5VTvn_PU7hdM1xbErbRCRtBfCG-/s1600/Susanna+Nocchi+-+Grammatica+Pratica+Della+Lingua+Italiana.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1587" data-original-width="1230" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhepsCTSSignplWAjg9w6sJy-iqRq2HNqM6TgYDnESsm2gm2D7bMI-OX_twRac4xMaxq6Yfh_kh4s_uqGqQ9cTdtM0bdcA2XkD4faD2FPAF4_AwhTrTI5VTvn_PU7hdM1xbErbRCRtBfCG-/s640/Susanna+Nocchi+-+Grammatica+Pratica+Della+Lingua+Italiana.jpg" width="496" /></a></div>
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«La “grammatica della Nocchi” si è affermata nel panorama dell’insegnamento dell’italiano per stranieri come uno degli strumenti più apprezzati da insegnanti e studenti per esercitare la grammatica italiana in modo completo ed efficace.<br />
<br />
Il suo successo si deve:<br />
<ul>
<li>alla presentazione chiara e sintetica delle regole attraverso schede grammaticali essenziali ed immediatamente comprensibili;</li>
<li>ad esercizi agili e graduati, che permettono di verificare subito e con efficacia le conoscenze acquisite;</li>
<li>all’attenzione riservata alle forme più utili e frequenti, in contatto diretto con una lingua pratica, autentica, di immediata utilizzazione.</li>
</ul>
<br />
Per andare incontro alle esigenze di insegnanti e studenti, questa edizione aggiornata è stata arricchita con nuovi esercizi, schemi grammaticali, test a puntie riquadri con curiosità linguistiche e suggerimenti per l’autoapprendimento. Infine, si presenta più nuova che mai, con una veste grafica rinnovata etotalmente a colori.» (<a href="https://www.almaedizioni.it/it/catalogo/scheda/nuova-grammatica-pratica-della-lingua-italiana/">Fonte</a>)<br />
<br />
<b></b><br />
<div style="text-align: center;">
<b><b><span style="font-size: x-large;"><a href="http://festyy.com/wYfCnj">Scaricare</a></span></b></b><br />
<span style="font-size: large;">Peso: 18 MB</span></div>
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Miguel Riveroshttp://www.blogger.com/profile/16997657021795455471noreply@blogger.com0tag:blogger.com,1999:blog-2606133825720022093.post-10160603946677494302018-01-30T08:58:00.000-04:002018-01-30T08:58:19.829-04:00Arca - Stretch 2 (2012) [MP3 V0]<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgk3XQxXGRkr5JZd_xhmjgnFVeskgBAy33h6xrX8OF7MvDqSnLp7uVBjqfKyznN7DXoUysoiQQ-UqX5RKJKTibeaiYF_wpUtMs5G5rJkqxMtg1Q8xxAmQH0vBuLhH4tDHEgb2B0tV7f9nsD/s1600/Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgk3XQxXGRkr5JZd_xhmjgnFVeskgBAy33h6xrX8OF7MvDqSnLp7uVBjqfKyznN7DXoUysoiQQ-UqX5RKJKTibeaiYF_wpUtMs5G5rJkqxMtg1Q8xxAmQH0vBuLhH4tDHEgb2B0tV7f9nsD/s640/Cover.jpg" width="640" /></a></div>
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«Arca doesn't want to make you dance. He'd rather watch you squirm, which is precisely what his contorted, writhing beats do. He's an artist that sounds distinctly uncomfortable in his own skin, every sound coming out in a warped, hellish gasp. At some level he's a hip-hop producer, but his shapeshifting illusions occasionally assume the forms of something resembling garage. Stretch 2 is his second effort for UNO NYC (home to the similarly ghoulish Gobby) and though it contains nothing as creepy as the first Stretch's "Ass Swung Low" (which recalled Aphex Twin's "Come to Daddy" with its deeply disturbing aural and visual content), it's a much more confident release that turns his blackened world of sound from impenetrable to frighteningly immersive. <br /><br />Opener "Self Defense" is a good harbinger for what you're getting yourself into. What sounds like a mangled didgeridoo is formed into a dissolving chord structure assaulted by lagging breakbeats, as Arca's pitched-down murmurs chatter below. And of course, the whole thing momentarily dissolves into a frantic clatter, as if Arca's grabbing the track by the sides and shaking it furiously. The silty time-delay rhythms and uncomfortable swing arcs that are the blueprint of much of Stretch 2 recall early Downliners Sekt plunged in prehistoric mud and a healthy dollop of existential angst. What are presumably his own vocals are peppered throughout the record, sometimes (unsettlingly) legible but more often spitting out hissing hymns to god-knows-what. <br /><br />Arca's music is fueled by tension more than anything else—it's the way the whispering winds sweep piercingly through the lurch of "Tapped In" that makes it so eerie, rather than the sounds themselves. Though his playful hip-hop vignettes are nice little curios, the album's real eye-openers are when he stretches out, and mostly come after the album's sent you through its hall of mirrors of mainstream rap appropriation. There's a hint of it on "Strung," where an uplifting, pseudo-gospel melody is suppressed and sent through the underbelly of the track, a glimpse of colour in a world defined entirely by black. <br /><br />But it's "Brokeup" where things really get interesting—a mutated rave synth (think Lone) blurts and distorts all over the track, like it's losing blood with each gasp before its subsumed entirely into "Meditation," Arca's most beautifully tortured production. Here, he uses delay and harsh panning effects to create a track in bleary double-vision, breathtaking in its drama yet never quite focused enough to harbour anything more than creepy ambiguity. It's finished off with the slightly sunnier New Age tones of "Manners," like Teebs having a bad day. These moments of strange, abject prettiness come late in an album whose sole goal seems to be to engender discomfort, a mutable aesthetic that can prove flimsy as often as it can impress. Above all, though, Stretch 2 is a mood record, unforgivingly dark and antisocial.» (<a href="https://www.residentadvisor.net/reviews/11498">Source</a>)<br />
<br />
<iframe allow="autoplay" frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/50992485&color=%23111216&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true" width="100%"></iframe><br />
<b><span style="font-size: large;"><br /></span></b>
<b><span style="font-size: large;">Tracklist:</span></b><br />
<b>01</b>. Self Defense <br /><b>02</b>. Fortune <br /><b>03</b>. Maiden Voyage <br /><b>04</b>. 2 Blunted <br /><b>05</b>. Tapped In <br /><b>06</b>. Strung <br /><b>07</b>. Brokeup <br /><b>08</b>. Meditation <br /><b>09</b>. Manners<div>
<br /></div>
<div style="text-align: center;">
<span style="font-size: x-large;"><b><a href="http://festyy.com/wjrLMP">Download</a></b></span></div>
<div style="text-align: center;">
<span style="font-size: large;">Size: 52 MB</span></div>
Miguel Riveroshttp://www.blogger.com/profile/16997657021795455471noreply@blogger.com0tag:blogger.com,1999:blog-2606133825720022093.post-49835956999838182472018-01-30T08:15:00.000-04:002018-01-30T08:21:59.886-04:00Funky - Funkytown (2002) [MP3 128]<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizeJsT_29fgNelrO59_tTmBIaT8yGAd2WxVt0z2UmYUrl2FIcEZMYokiCb7hck4-AGtZaOwsZQv3hXQEUw2csPtJVZpyDQL_UrtXY1zGhwmuuI59RY1cHkws4laoKkF8EDeP7BwKVLXdfl/s1600/Portada.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="953" data-original-width="953" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizeJsT_29fgNelrO59_tTmBIaT8yGAd2WxVt0z2UmYUrl2FIcEZMYokiCb7hck4-AGtZaOwsZQv3hXQEUw2csPtJVZpyDQL_UrtXY1zGhwmuuI59RY1cHkws4laoKkF8EDeP7BwKVLXdfl/s640/Portada.jpg" width="640" /></a></div>
<br />
<b><span style="font-size: large;">Canciones:</span></b><br />
<b>01</b>. Ready<br />
<b>02</b>. Quiero darte gracias<br />
<b>03</b>. Después de la caída (con Vico C y René Gonzalez)<br />
<b>04</b>. Desde Funkytown<br />
<b>05</b>. Especie en Peligro<br />
<b>06</b>. Dale la Mano<br />
<b>07</b>. Come 2 the danza<br />
<b>08</b>. El Camino (con Triple Seven)<br />
<b>09</b>. Al Ataque<br />
<b>10</b>. Desde Funkytown Remix<br />
<br />
<div>
<div style="text-align: center;">
<b><span style="font-size: x-large;"><a href="http://festyy.com/wjrlb9">Descargar</a></span></b></div>
<div style="text-align: center;">
<i>(Esperar 5 segundos y hacer clic en Quitar Publicidad)</i></div>
</div>
<div style="text-align: center;">
<span style="font-size: large;">Tamaño: 38 MB</span></div>
Miguel Riveroshttp://www.blogger.com/profile/16997657021795455471noreply@blogger.com0tag:blogger.com,1999:blog-2606133825720022093.post-62460401831422086362018-01-28T11:16:00.000-04:002018-04-28T16:26:41.681-04:00What is theme and rheme?If you read the following sentences, what would you say is the difference between the two of them?<br />
<div>
<br /></div>
<ol>
<li>Chris Rock tells a really fun joke.</li>
<li>A really fun joke is told by Chris Rock.</li>
</ol>
<br />
The first thing that you will notice is that, one is in active voice and the other one is in passive voice, this does not changes the meaning of the sentences since both are talking about the same thing, however in sentence number 1 the focus is on the agent while in number 2 the focus is on the action. Now, if you look closer, you will also notice that from the beginning of the clause your attention is being drawn to something which is the Theme, and it indicates what is being talked about in the clause. The rest of it is known as the Rheme. Take a look at the examples again:<br />
<ol>
<li><span style="color: red;">Chris Rock</span> <span style="color: blue;">tells a really fun joke</span>.</li>
<li><span style="color: red;">A really fun joke</span> <span style="color: blue;">is told by Chris Rock</span>.</li>
</ol>
As we see, in sentence number 1 the attention is on the comedian Chris Rock, whereas in the second one the attention is on the joke. But, how about if we add one more word to the sentences.<br />
<br />
3. <span style="color: red;">Meanwhile</span>, <span style="color: blue;">Chris Rock tells a really fun joke</span>.<br />
4. <span style="color: red;">Meanwhile</span>, <span style="color: blue;">a really fun joke is told by Chris Rock</span>.<br />
<br />
Now you can notice that the Theme changed in both cases, regardless of the fact that they are in different voices. In sentences number 3 and 4 the attention is no more on Chris Rock or the joke, is it on the time. <br />
<br />
According to Halliday and Matthiessen (2014) the Theme «is the element which serves as the point of departure of the message» (p. 89) and the Rheme is the «remainder of the message, the part in which the Theme is developed» (p. 89), that means that whatever is put first, acquires thematic prominence. Considering this, we can study or identify the writer’s intention by analyzing their use of Theme; this gives us an idea on what the writer wants you to focus in. Let us look at another example from Franz Kafka’s The Metamorphosis:<br />
<ol>
<li>« <span style="color: red;">When Gregor Samsa awoke one morning from troubled dreams </span><span style="color: blue;">he found himself transformed in his bed into a monstrous insect</span>. » (Kafka, 1999)</li>
<li>(modified) <span style="color: red;">Transformed in his bed into a monstrous insect</span> <span style="color: blue;">Gregor Samsa awoke one morning from troubled dreams</span>.</li>
</ol>
<br />
In the original, Kafka wanted us to pay attention to Gregor the human and not in the fact that he had transformed into an insect. This is important since in the novel, the author never explains the reason of his transformation; on the contrary, we see that according to the events Gregor appeared not to deserve his fate. Now, in the modified sentence our attention is drawn to Gregor’s transformation, this changes completely the tone of the message and of course the author’s intention.<br />
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With these examples, we can see that Theme is a system that allow us to guide the point of view of the reader into what we want them to focus in, by doing that we create the texture that provides cohesion to the text and that helps us to communicate the message in a more effective way.<br />
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<br />
<b>References</b><br />
<br />
Halliday, M., & Matthiessen, C. M. (2014). <i>An Introduction to Functional Grammar</i>. London: Arnold, a member of the Hodder Headline Group.<br />
<br />
Kafka, F. (1999).<i> The Metamorphosis</i>. Prague: Vitalis.<br />
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<div style="text-align: center;">
<span style="font-size: large;">Miguel Riveros | CI: 20.123.187</span></div>
<div style="text-align: center;">
<span style="font-size: large;">Facultad de Humanidades y Educación</span></div>
<div style="text-align: center;">
<span style="font-size: large;">Universidad de los Andes</span></div>
<div style="text-align: center;">
<span style="font-size: large;">Mérida, VE - Marzo, 2017</span></div>
Miguel Riveroshttp://www.blogger.com/profile/16997657021795455471noreply@blogger.com0tag:blogger.com,1999:blog-2606133825720022093.post-78655855868237885172018-01-05T16:28:00.002-04:002018-04-30T15:06:03.051-04:00Un Solo Pueblo - La Música de Venezuela un Solo Pueblo (1990) [MP3 192]<div class="separator" style="clear: both; text-align: center;">
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<div style="text-align: center;">
<iframe allow="encrypted-media" allowfullscreen="" frameborder="0" gesture="media" height="315" src="https://www.youtube.com/embed/fEAeinK1Z6o" width="560"></iframe><br /></div>
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<b><span style="font-size: large;">Canciones:</span></b><br />
<b>01</b>. El Festín<br />
<b>02</b>. Guiria Canta<br />
<b>03</b>. Macoklis Mango<br />
<b>04</b>. El Hacha<br />
<b>05</b>. Guaraña Gracitana<br />
<b>06</b>. El Hojal<br />
<b>07</b>. Reboliaito<br />
<b>08</b>. Serenata<br />
<b>09</b>. Mi Barquito Marinero<br />
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<div style="text-align: center;">
<b><span style="font-size: x-large;"><a href="http://www.mediafire.com/file/vz1fg1piwc45wn0/USP-LMDVUSP1990.zip">Descargar</a></span></b></div>
<div style="text-align: center;">
<span style="font-size: large;">Tamaño 43 MB</span></div>
Miguel Riveroshttp://www.blogger.com/profile/16997657021795455471noreply@blogger.com6tag:blogger.com,1999:blog-2606133825720022093.post-73198873331571128252018-01-02T22:06:00.000-04:002018-01-02T22:06:17.775-04:00The Magnetic Power of Persuasion (Literary essay)<div class="separator" style="clear: both; text-align: center;">
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<br />The idea of a conflict between humans and mutants has always raised questions like “Who are the good ones?” or “Which side would I choose?” As a matter of fact, since 1963 the X-Men have been related to social and political issues, where minorities like African-Americans in the USA and LGBT people around the world have suffered the consequences of racism and/or discrimination. “Since you have proclaimed Armageddon for <i>homo sapiens</i> and <i>homo superior</i>, it seems only fitting that you meet your chief adversary face to face” (Claremont, 1982: 54) says Magneto to Reverend William Stryker in <i>X-Men: God Loves, Man Kills</i>, a graphic novel written and published on 1982 by Chris Claremont. In this novel, Magneto joins the X-Men to fight against Reverend William Stryker and to avoid the extermination of “mutantkind.” Regardless of this, Magneto’s actions and thoughts have always been questioned by the very same X-Men for going too far from their beliefs. In <i>God Loves, Man Kills</i> Magneto uses rhetorical devices to justify himself.<br /><br />Rhetorical devices are tools for persuasion, they allow the speaker to convince -or try to convince- an audience, that what it is been said is true. The most important rhetorical devices are: <i>ethos </i>(appeals to trust or credibility), <i>logos </i>(appeals to logic), and <i>pathos </i>(appeals to emotions). When the X-Men start to struggle on a fight with the purifiers -Reverend William Stryker’s henchmen- Magneto intervenes and says “Sheathe your claws, Wolverine. Magneto is here a friend… …and, if you’ll have me, an ally” (Claremont, 1982: 25-26). In this example, the Master of Magnetism is trying to gain trust from the X-Men presenting himself as a “friend,” despite the fact that they are frightened by his presence, this is an example of ethos. Later in the novel Magneto comes to help the X-Men again, rescuing a man that was threatened by the purifiers. After being saved, the guy asks “Who… were those guys? Hell, who are you?! Why were they after the kid?” (Claremont, 1982: 44), Magneto answers “I am Magneto. My companions, X-Men. We are mutants. As for reasons, you’d best ask the man those assassins are sworn to serve… ….Reverend William Stryker” (Claremont, 1982: 44). This time the Master of Magnetism presents himself and the X-Men emphasizing that they are mutants; he is showing reliability and trustiness to the human. On the other side, he identifies the purifiers as “assassins” and links them to a recognizable face, Reverend William Stryker, giving him total responsibility of the prior situation they just lived. Magneto clearly used ethos to avoid being seen as a foe and to identify the purifiers as the enemy.<br /><br />Then, in another scene, a discussion is set between Magneto and Cyclops, “Considering our past association, your reaction is understandable. I am not your enemy, X-Men, nor do I consider you mine. True, my goal has ever been the conquest of earth – but solely to create a world where our race homo superior, can live in peace” (Claremont, 1982: 50) says Magneto, again he is showing trustiness to the X-Men by emphasizing that he is not an enemy, this is another example of him using ethos to gain credibility. “Is your way any better? A mutant dictatorship?” (Claremont, 1982: 50) asks Cyclops, to which Magneto answers “Do not take that tone with me, boy. I have lived under a dictatorship… …and seen my family butchered by its servants. When I rule, it will be for the betterment of all” (Claremont, 1982: 50). Here, he switched from ethos to pathos, possibly because of the nature of the discussion; he needed to appeal to something more powerful than just trust or credibility, therefore he took his tragic past and used it to reinforce his statements.<br /><br />The effect of Magneto’s rhetoric can only be found after the fight ended. “A phyrric victory, X-Men, whose hollowness… …Is even now becoming apparent. The <i>man </i>was beaten. His cause lives on. Already, it’s being said that Stryker’s goal was right, only his methods flawed. No matter how hard you try, you cannot truly win” (Claremont, 1982: 63) states Magneto. As for this Charles Xavier answers “I fear, old friend… …you are correct” (Claremont, 1982: 63). Coming from a character well known for being reasonable and thoughtful, it is noticeable that Magneto’s use of rhetoric was effective, even though Professor X changed his mind later.<br /><br />Magneto and the X-Men have dissimilar thoughts regarding the conflict among mutants and humans. In this novel, he approached the X-Men as an ally using ethos to convince them that he is not a threat, he does this again after saving a human from being killed by the purifiers. In another scene a discussion is set between him and Cyclops, he used ethos and pathos to validate his arguments. Finally, we see the effects of his rhetoric when Charles expresses sympathy with his points of view. What we can understand is that Magneto needs to persuade the X-Men since alone he would not succeed on his campaign to try to conquer the world, and because they represent a menace to him. The best tool he has is speech as it is the most effective way by which he can convince others to join his cause, and by which he can avoid being seen as an adversary.<div>
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<br /><b>References </b><br /><br />Claremont, C. (1982). <i>X-Men: God Loves, Man Kills</i>. New York: The Marvel Comics Group. <br /><br />Sproat, E., Driscoll, D., & Brizee, A. (2012). <i>Aristotle's Rhetorical Situation</i>. Retrieved from Purdue OWL: https://owl.english.purdue.edu/owl/resource/625/03/<div>
<br /></div>
<span style="font-size: large;"><div style="text-align: center;">
Miguel Riveros | CI: 20.123.187</div>
<div style="text-align: center;">
Facultad de Humanidades y Educación</div>
<div style="text-align: center;">
Universidad de los Andes</div>
<div style="text-align: center;">
Mérida, VE - Marzo, 2017</div>
</span>Miguel Riveroshttp://www.blogger.com/profile/16997657021795455471noreply@blogger.com1tag:blogger.com,1999:blog-2606133825720022093.post-90590312896389225152017-12-25T17:12:00.002-04:002018-01-02T22:02:33.600-04:00Glosario<div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: xx-small;">(imagen https://aeternaimperoblog.files.wordpress.com/2017/02/glosario1.jpg?w=640)</span></div>
<b><br /></b>
<b>Antropología</b><br />
<br />
Es una ciencia social que estudia al ser humano desde sus orígenes, su comportamiento, y su desarrollo biológico y cultural a través del tiempo y el espacio. La antropología se enfoca en estudiar la naturaleza evolutiva del ser humano, su proceso de adaptación a diversos hábitats, y sus variadas manifestaciones culturales y lingüísticas.<br />
<br />
<b>Cultura</b><br />
<br />
Desde un punto de vista sociológico, cultura constituye los modos de vida (costumbres, tradiciones, creencias, valores, etc.) distintivos de un grupo social en un espacio-tiempo, los cuales son adquiridos por cada individuo a través de un proceso de socialización.<br />
<br />
<b>Disciplina</b><br />
<br />
Área de conocimiento.<br />
<br />
<b>Economía</b><br />
<br />
Es una ciencia social que estudia la producción, distribución, y el consumo de bienes y servicios de una sociedad. La economía se enfoca en comprender el comportamiento y la interacción de agentes económicos, y en entender cómo funcionan las diversas economías. Por otro lado, el término economía también se usa para denominar la riqueza o los bienes materiales de una sociedad.<br />
<br />
<b>Educación</b><br />
<br />
Es el proceso y resultado de la cultivación del conocimiento de la naturaleza humana y del mundo. La educación se imparte en concordancia con el tiempo y el espacio, es un proceso continuo que inicia desde los primeros momentos de vida y se extiende a lo largo de la misma.<br />
<br />
<b>Hecho Social</b><br />
<br />
Es un concepto acuñado por Emile Durkheim en su libro Las reglas del método sociológico (1895). Según Durkheim, los hechos sociales son maneras de actuar y pensar presentes en una sociedad, las cuales son externas al individuo y ejercen un poder coercitivo sobre su conducta.<br />
<br />
<b>Idealismo</b><br />
<br />
Es una postura filosófica en la que se da primacía a la idea o ideal producto de la conciencia. El idealismo establece que la realidad solo puede ser interpretada a través de las ideas o el pensamiento, es decir, para el idealismo lo real está compuesto por entidades mentales.<br />
<br />
<b>Identidad</b><br />
<br />
En los términos más simples se define como la condición de ser uno mismo y no otro. Sin embargo, según Fearon (1999), la identidad está compuesta por el conjunto de atributos, creencias, deseos, o principios que una persona considera le son distintivos del resto de los individuos.<br />
<br />
<b>Materialismo</b><br />
<br />
El materialismo moderno una postura filosófica en la que se establece que la realidad está constituida por la materia, y que los fenómenos mentales y la conciencia son producto de interacciones materiales.<br />
<br />
<b>Mismidad</b><br />
<br />
Se refiere a la cualidad de ser uno mismo, a la individualidad o a la identidad individual.<br />
<br />
<b>Racionalismo</b><br />
<br />
Es una corriente de pensamiento surgida entre los siglos XVII y XVIII la cual establece que la única fuente de conocimiento se halla en la razón. El racionalismo propone que la realidad posee estructuras lógicas que pueden ser explicadas por medio del intelecto.<br />
<br />
<b>Relaciones sociales</b><br />
<br />
Se refiere a cualquier relación entre dos o más individuos.<br />
<br />
<b>Revolución</b><br />
<br />
Constituye un cambio súbito de la estructura de un sistema político-económico producto de una sublevación o levantamiento popular.<br />
<br />
<b>Revolución Industrial</b><br />
<br />
Se conoce como Revolución Industrial al proceso de cambios económicos, tecnológicos y sociales ocurridos entre Europa y Norteamérica a lo largo de los siglos XVIII y XIX. Durante dicho período, se desarrolló un cambio de la producción manual al uso de maquinaria para la fabricación de bienes. Nuevas tecnologías como la máquina de vapor permitieron mejorar la eficiencia y rapidez en la producción, lo que dio surgimiento al factory system o sistema de fábricas. Por otro lado, la Revolución Industrial promovió un mejoramiento en los niveles de vida lo cual causó un gran aumento de la población la cual se empezó a concentrar en zonas urbanas.<br />
<br />
<b>Sociabilidad</b><br />
<br />
Se define como la habilidad, tendencia o cualidad de ser sociable o de poder asociarse con otros individuos. Según Georg Simmel (Wolff, 1950: 43), constituye una fuerza autónoma o libre que conduce a humanos, con intereses y propósitos comunes a asociarse entre sí.<br />
<br />
<b>Sociedad</b><br />
<br />
Se refiere a un conjunto organizado de personas que comparten un espacio, una estructura e intereses en común, en el cual cada individuo cumple una función que permite mantener la configuración y el funcionamiento de dicha organización.<br />
<br />
<b>Sociología</b><br />
<br />
Es una ciencia social que estudia el comportamiento del ser humano en sociedad a través del tiempo y el espacio, desde sus orígenes, organización, instituciones, funcionamiento, y desarrollo. La sociología estudia las interacciones humanas y las normas o procesos a través de los cuales se establecen las sociedades.<br />
<br />
<b>Valor</b><br />
<br />
El valor está definido por lo que un individuo o grupo social considera ética y moralmente correcto, de lo cual deriva lo que tal individuo o grupo social considera inapropiado o reprochable.<br />
<br />
<b>Referencias</b><br />
<br />
Cambridge Advanced Learner’s Dictionary & Thesaurus. <i>Society</i>. Recuperado de: http://dictionary.cambridge.org/dictionary/english/society?q=Society<br />
<br />
Collins English Dictionary - Complete & Unabridged. <i>Economics</i>. Recuperado de: http://www.dictionary.com/browse/economics<br />
<br />
Encyclopedia Brittannica. <i>Rationalism</i>. Recuperado de: https://www.britannica.com/topic/rationalism<br />
<br />
Fearon, J.D. (1999). <i>What is identity (as we now use the word)?</i> Recuperado de: https://web.stanford.edu/group/fearon-research/cgi-bin/wordpress/wp-content/uploads/2013/10/What-is-Identity-as-we-now-use-the-word-.pdf<br />
<br />
History. <i>Industrial Revolution</i>. Recuperado de: http://www.history.com/topics/industrial-revolution<br />
<br />
Merrian-Webster. <i>Materialism</i>. Recuperado de: https://www.merriam-webster.com/dictionary/materialism<br />
<br />
Merrian-Webster. <i>Society</i>. Recuperado de: https://www.merriam-webster.com/dictionary/society<br />
<br />
Philosophybasics. <i>Idealism</i>. Recuperado de: http://www.philosophybasics.com/branch_idealism.html<br />
<br />
Real Academia Española. <i>Educación</i>. Recuperado de: http://dle.rae.es/?id=EO5CDdh<br />
<br />
Real Academia Española. <i>Mismidad</i>. Recuperado de: http://dle.rae.es/?id=POxjG0J<br />
<br />
Real Academia Española. <i>Revolución</i>. Recuperado de: http://dle.rae.es/?w=revoluci%C3%B3n<br />
<br />
Rothman, J. (2014). The meaning of “culture.” In <i>The New Yorker</i>. Recuperado de: http://www.newyorker.com/books/joshua-rothman/meaning-culture<br />
<br />
Smith, M. K. (2015). <i>What is education? A definition and discussion</i>. In The encyclopedia of informal education. Recuperado de: http://infed.org/mobi/what-is-education-a-<span style="white-space: pre;"> </span>definition-and-discussion/<br />
<br />
The American Heritage Science Dictionary. <i>Anthropology</i>. Recuperado de: http://www.dictionary.com/browse/anthropology<br />
<br />
Wikipedia. <i>Culture</i>. Recuperado de: https://en.wikipedia.org/wiki/Culture<br />
<br />
Wikipedia. <i>Idealismo</i>. Recuperado de: https://en.wikipedia.org/wiki/Idealism#Definitions<br />
<br />
Wikipedia. <i>Industrial Revolution</i>. Recuperado de: https://en.wikipedia.org/wiki/Industrial_Revolution#Etymology<br />
<br />
Wikipedia. <i>Materialism</i>. Recuperado de: https://en.wikipedia.org/wiki/Materialism<br />
<br />
Wikipedia. <i>Rationalism</i>. Recuperado de: https://en.wikipedia.org/wiki/Rationalism<br />
<br />
Wikipedia. <i>Revolución Industrial</i>. Recuperado de: https://es.wikipedia.org/wiki/Revoluci%C3%B3n_Industrial<br />
<br />
Wikipedia. <i>Revolution</i>. Recuperado de: https://en.wikipedia.org/wiki/Revolution<br />
<br />
Wikipedia. <i>Social fact</i>. Recuperado de: https://en.wikipedia.org/wiki/Social_fact<br />
<br />
Wikipedia. <i>Sociology</i>. Recuperado de: https://en.wikipedia.org/wiki/Sociology<br />
<br />
Wiktionary. <i>Sociology</i>. Recuperado de: https://en.wiktionary.org/wiki/sociology<br />
<br />
Wolff, K. H. (1950). <i>The Sociology of Georg Simmel</i>. New York: The Free Press.<br />
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<div style="text-align: center;">
Miguel Riveros | CI: 20.123.187</div>
<div style="text-align: center;">
Facultad de Humanidades y Educación</div>
<div style="text-align: center;">
Universidad de los Andes</div>
<div style="text-align: center;">
Mérida, VE - Julio, 2017</div>
</span>Miguel Riveroshttp://www.blogger.com/profile/16997657021795455471noreply@blogger.com2tag:blogger.com,1999:blog-2606133825720022093.post-31530981606697222402017-12-25T16:21:00.002-04:002017-12-25T16:21:55.572-04:00Guaco - Bidimensional (2017) [MP3 192]<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOahwJ5yaq_3He5mKwHlPTryLecwMTr7i2H-Q1DNwa_U_EJd9GN74B3ijmP3vxwm-elc0EIUIviw22JZEpfUWv726LILyrjw3flj2y6mFToxg2JeO0FwEnNUH1wdevdW99mNXS9Qlr6A_Y/s1600/Front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOahwJ5yaq_3He5mKwHlPTryLecwMTr7i2H-Q1DNwa_U_EJd9GN74B3ijmP3vxwm-elc0EIUIviw22JZEpfUWv726LILyrjw3flj2y6mFToxg2JeO0FwEnNUH1wdevdW99mNXS9Qlr6A_Y/s640/Front.jpg" width="640" /></a></div>
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<div style="text-align: center;">
<iframe allow="encrypted-media" allowfullscreen="" frameborder="0" gesture="media" height="315" src="https://www.youtube.com/embed/SMaW4jTgdNY" width="560"></iframe><br /></div>
<br />
<b><span style="font-size: large;">Canciones:</span></b><br />
<b>01</b>. Aguas de Cristal (Sinfónico)<br />
<b>02</b>. De Vuelta a Tu Corazón (Sinfónico)<br />
<b>03</b>. Si Usted la Viera (Sinfónico)<br />
<b>04</b>. Las Caraqueñas (Sinfónico)<br />
<b>05</b>. Regálame Tu Amor (Sinfónico)<br />
<b>06</b>. Si Mis Paredes Hablaran (Sinfónico)<br />
<b>07</b>. Lágrimas No Más (Sinfónico)<br />
<b>08</b>. Se Nos Fue el Amor<br />
<b>09</b>. Jokoh Jokoh<br />
<b>10</b>. Si Me Das<br />
<b>11</b>. Dame un Beso<br />
<b>12</b>. Llenarte de Amores<br />
<b>13</b>. Préstame tu Boca<br />
<b>14</b>. Lágrimas No Más<br />
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<div style="text-align: center;">
<b><span style="font-size: x-large;"><a href="http://ceesty.com/wp4X8u">Descargar</a></span></b><br />
(Esperar 5 segundos y hacer clic en <i>Quitar Publicidad</i>)</div>
<div style="text-align: center;">
<span style="font-size: large;">Peso: 79 MB</span></div>
Miguel Riveroshttp://www.blogger.com/profile/16997657021795455471noreply@blogger.com0tag:blogger.com,1999:blog-2606133825720022093.post-49731244753397031602017-12-19T16:42:00.000-04:002017-12-19T16:42:30.629-04:00Guaco - Guaco Clásico II (1994) [MP3 128]<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLRWg1N1KLV7h4ye8sOmkPIxxYblGayA6ZaSEpHyNQdil8RlkNzFZSE1ocsJZehjkKBaVUH34JIghgeqk6zJSvJCx4JzIjI16JVgDNubYghdm1xIDlNjrmfrmTXvDY1BT97H-RPBYyNPn0/s1600/Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="708" data-original-width="709" height="638" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLRWg1N1KLV7h4ye8sOmkPIxxYblGayA6ZaSEpHyNQdil8RlkNzFZSE1ocsJZehjkKBaVUH34JIghgeqk6zJSvJCx4JzIjI16JVgDNubYghdm1xIDlNjrmfrmTXvDY1BT97H-RPBYyNPn0/s640/Cover.jpg" width="640" /></a></div>
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<span style="font-size: large;"><b>Canciones:</b></span><br />
<b>01</b>. Carretera Machiques A Colón<br />
<b>02</b>. Los Patinadores<br />
<b>03</b>. Remembranzas II<br />
<b>04</b>. Virgencita Santa<br />
<b>05</b>. En Estas Pascuas, Mi Vida<br />
<b>06</b>. Guayana Esequiba<br />
<b>07</b>. Aniceto Rondón<br />
<b>08</b>. Flor De La Habana I y II<br />
<b>09</b>. Noche Buena<br />
<b>10</b>. La Grey Zuliana<br />
<b>11</b>. La Mujer Maracaibera<br />
<b>12</b>. Tamborero<br />
<b>13</b>. Gloria De Un Parrandón<br />
<b>14</b>. Remembranzas<br />
<b>15</b>. Gaitoneando<br />
<b>16</b>. Gaita Sandunguera<br />
<b>17</b>. Decreto Papal<br />
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<span style="font-size: x-large;"><b><a href="http://www.mediafire.com/file/ksfkrbds65aw5y5/G-GII.zip">Descargar</a></b></span></div>
<div style="text-align: center;">
<span style="font-size: large;">Tamaño: 51 MB</span></div>
Miguel Riveroshttp://www.blogger.com/profile/16997657021795455471noreply@blogger.com0tag:blogger.com,1999:blog-2606133825720022093.post-55642508800632598562017-12-19T08:33:00.000-04:002018-01-02T21:56:09.089-04:00S. D. Perry - Resident Evil Colección de Novelas (EPUB)<div class="separator" style="clear: both; text-align: center;">
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<b><span style="font-size: large;">Novelas</span></b><br />
Resident Evil - 00 - Hora Cero - S. D. Perry<br />
Resident Evil - 01 - La Conspiración Umbrella - S. D. Perry<br />
Resident Evil - 02 - La Ensenada Caliban - S. D. Perry<br />
Resident Evil - 03 - La ciudad de los muertos - S. D. Perry<br />
Resident Evil - 04 - Inframundo - S. D. Perry<br />
Resident Evil - 05 - Némesis - S. D. Perry<br />
Resident Evil - 06 - Código Veronica - S. D. Perry<br />
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<b><span style="font-size: x-large;"><a href="http://ceesty.com/wsljLM">Descargar</a></span></b></div>
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(Esperar 5 segundos y hacer clic en <i>Quitar Publicidad</i>)</div>
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<div style="text-align: center;">
<span style="font-size: large;">Tamaño: 4 MB</span></div>
Miguel Riveroshttp://www.blogger.com/profile/16997657021795455471noreply@blogger.com0tag:blogger.com,1999:blog-2606133825720022093.post-60004984646963141992017-12-18T19:15:00.001-04:002018-01-02T21:55:05.666-04:00S. D. Perry - Resident Evil Novels PDF-EPUB Collection<div class="separator" style="clear: both; text-align: center;">
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<b>Novels</b><br />
Resident Evil - 00 - Zero Hour - S. D. Perry<br />
Resident Evil - 01 - The Umbrella Conspiracy<br />
Resident Evil - 02 - Caliban Cove<br />
Resident Evil - 03 - City of the Dead<br />
Resident Evil - 04 - Underworld<br />
Resident Evil - 05 - Nemesis<br />
Resident Evil - 06 - Code Veronica<br />
<br />
<div style="text-align: center;">
<span style="font-size: x-large;"><b><a href="http://ceesty.com/wsljPO">Download</a></b></span></div>
<div style="text-align: center;">
<span style="font-size: large;">Size: 9 MB</span></div>
Miguel Riveroshttp://www.blogger.com/profile/16997657021795455471noreply@blogger.com0tag:blogger.com,1999:blog-2606133825720022093.post-52058889111347755842017-12-10T09:00:00.000-04:002017-12-10T09:00:10.752-04:00Necrophagist - Necrophagist (1995) [MP3 128]<div class="separator" style="clear: both; text-align: center;">
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<br />
<b>Tracks:</b><br />
<b>01</b>. Dismembered Self-Immolation<br />
<b>02</b>. Foul Body Autopsy<br />
<b>03</b>. Pseudopathological Vivisection<br />
<b>04</b>. Fermented Offal Discharge<br />
<br />
<div style="text-align: center;">
<b><span style="font-size: x-large;"><a href="https://www.mediafire.com/file/ogkgg4a3clvyl75/N-N1995.zip">Download</a></span></b></div>
<div style="text-align: center;">
<span style="font-size: large;">Size: 12 MB</span></div>
Miguel Riveroshttp://www.blogger.com/profile/16997657021795455471noreply@blogger.com0